No.27 提埃坡罗 | 最负盛名的壁画名家

油画世界  ArtYouhua

No.27 提埃坡罗 | 最负盛名的壁画名家插图

Giovanni Battista Tiepolo
乔万尼·巴蒂斯塔·提埃波罗

意大利, (1696-1770)
在18世纪,威尼斯画家占有特殊的地位,乔万尼·巴蒂斯塔·提埃波罗是其中最负盛名的壁画名家,不仅在意大利,同时也在德国和西班牙从事创作,提埃波罗的艺术有巴洛克的影响,也继承了文艺复兴的传统。流派:洛可可艺术、威尼斯画派

—— By ArtYouhua

作品欣赏


No.27 提埃坡罗 | 最负盛名的壁画名家插图1
A Young Woman With a Macaw,1758-1760

乔万尼·巴蒂斯塔·提埃波罗在威尼斯、米兰等地画有大量壁画和天顶画。其中最著名的作品有1750年左右为威尼斯贵族宅第所作的壁画《克里奥帕特拉的盛宴》。

No.27 提埃坡罗 | 最负盛名的壁画名家插图2
Queen Zenobia before Emperor Aurelianus,1717

提埃波罗以豪华的衣着,艳丽的色彩和有趣的古代故事来打动观众。此外,提埃波罗在威尼斯还作有《玫瑰花坛的授职仪式》壁画(1739年),在符兹堡绘制了壁画《巴巴罗萨的婚礼》(1752年)等。提埃波罗还留下了数十件为壁画而作的小幅油画。

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Annunciation,1724-1725

提埃波罗的画风相当自由洒脱,也十分华丽繁杂。因此有人认为提埃波罗是洛可可风格在意大利的代表。

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The appearance of the angel before Sarah,1726-1728

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Eteokles and Polyneikes,1725-1730

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The Madonna of Carmel and the Souls of the Purgatory,1730

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Meeting of Marc Anthony and Cleopatra,1747-1749

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St James the Greater Conquering the Moors,1749-1750

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Apollo and Diana,1757

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The Repudiation of Hagar,1719

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Nude study in an academy,1720

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The Martyrdom of St. Bartholomew,1722

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The Rape of Europa,1720-1722

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Susanna and the Elders,1722-1723

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The Force of Eloquence, Bellerophon and Pegasus,1723

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Apollo and Marsyas,1725

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Alexander the Great and Campaspe in the Studio of Apelles,1725-1726

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Rachel Hiding the Idols,1726-1728

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The appearance of the angels to Abraham,1726-1728

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The Judgment of Solomon,1726-1728

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Hagar in the Wilderness,1726-1729

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Jacob’s Dream,1726-1729

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The Prophet Isaiah,1726-1729

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The Sacrifice of Isaac,1726-1729

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Battle of Vercellae,1725-1729

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Abraham and the Three Angels,1730

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Hannibal looks at the head of Hasdrubal,1725-1730

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Finding of Moses,1730

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Scipio and a Slave,1731

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Hagar Assisted by the Angel,1732

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Nativity,1732

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The Education of the Virgin,1732

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John the Baptist Preaching,1732-1733

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The Beheading of John the Baptist,1732-1733

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The Triumph of Zephyr and Flora,1734-1735

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Jupiter and Danae,1736

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The Holy Family Appearing in a Vision to St Gaetano,1735-1736

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Carrying the Cross,1738

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Pope St Clement Adoring the Trinity,1737-1738

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King David Playing the Harp,1737-1739

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The Glory of St Dominic,1737-1739

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The Institution of the Rosary,1737-1739

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The Virgin Appearing to St Dominic,1737-1739

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The Virgin Appearing to Dominican Saints,1740

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The Virgin Appearing to St Philip Neri,1739-1740

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The Virgin with Six Saints,1737-1740

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The Gathering of Manna,1740-1742

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The Sacrifice of Melchizedek,1740-1742

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Allegory of Strength and Wisdom,1740-1743

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Fortitude and Justice,1743

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Maecenas Presenting the Liberal Arts to Emperor Augustus,1743

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Prudence, Sincerity and Temperance,1743

No.27 提埃坡罗 | 最负盛名的壁画名家插图53
Transportation of the Holy House of Nazareth to Loreto,1743

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Apollo and Daphne,1743-1744

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The Banquet of Cleopatra,1743-1744

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The Triumph of Flora,1743-1744

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The Discovery of the True Cross and St. Helena,1745

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Worshippers,1743-1745

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Worshippers,1743-1745

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The Apotheosis of Saint Roch,1740-1745

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St. Catherine of Siena,1746

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Bellerophon on Pegasus,1746-1747

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The Banquet of Cleopatra,1746-1747

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The Last Supper,1745-1747

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The Meeting of Anthony,1746-1747

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Last Communion of St Lucy,1747-1748

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Apparition of the Virgin to St Simon Stock,1746-1749

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Apparition of the Virgin to St Simon Stock,1749

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Christ on the Road to Calvary,1749

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Boy Holding a Book (portrait of Lorenzo Tiepolo),1750

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Christ on the Mount of Olives and the angel with the cup of suffering,1745-1750

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Crown of Thorns,1745-1750

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Crucifixion,1745-1750

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Neptune Offering Gifts to Venice,1748-1750

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Portrait of the Procurator Dolfin,1750

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The Martyrdom of St Agatha,1750

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The reception of Henry III,1750

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The Triumph of Fortitude and Sapiency,1745-1750

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Allegorical female figure with a club,1740-1750

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The Investiture of Herold as Duke of Franconia,1751

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The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy,1751

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Allegory of the Planets and Continents,1752

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Adoration of the Magi,1753

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Apollo and the Continents,1752-1753

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Apollo leads Frederick Barbarossa Beatrix of Burgundy,1750-1753

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Europa,1750-1753

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Rinaldo and Armida,1753

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The Death of Hyacinthus,1752-1753

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A Seated Man and a Girl with a Pitcher,1755

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Rinaldo and Armida are surprised by Ubaldo and Carlo,1755

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Rinaldo observed by Carlo and Ubaldo,1750-1755

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The Theological Virtues,1755

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Achilles consoled by his mother, Thetis,1757

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Angelica and Medorus accompanied by two peasants,1757

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Angelica Carving Medoro’s Name on a Tree,1757

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Angelica, accompanied by a shepherd who cares Medorus with herbs,1757

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Detail of Agamemnon, from Minerva Restraining Achilles from Killing Agamemnon,1757

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Detail of Dido, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido,1757

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Eurybates and Talthybios Lead Briseis to Agamemmon,1757

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Head of a Philosopher,1757

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