Giovanni Battista Tiepolo
乔万尼·巴蒂斯塔·提埃波罗
意大利, (1696-1770)
在18世纪，威尼斯画家占有特殊的地位，乔万尼·巴蒂斯塔·提埃波罗是其中最负盛名的壁画名家，不仅在意大利，同时也在德国和西班牙从事创作，提埃波罗的艺术有巴洛克的影响，也继承了文艺复兴的传统。流派：洛可可艺术、威尼斯画派
—— By ArtYouhua
作品欣赏
A Young Woman With a Macaw,1758-1760
乔万尼·巴蒂斯塔·提埃波罗在威尼斯、米兰等地画有大量壁画和天顶画。其中最著名的作品有1750年左右为威尼斯贵族宅第所作的壁画《克里奥帕特拉的盛宴》。
Queen Zenobia before Emperor Aurelianus,1717
提埃波罗以豪华的衣着，艳丽的色彩和有趣的古代故事来打动观众。此外，提埃波罗在威尼斯还作有《玫瑰花坛的授职仪式》壁画（1739年），在符兹堡绘制了壁画《巴巴罗萨的婚礼》（1752年）等。提埃波罗还留下了数十件为壁画而作的小幅油画。
Annunciation,1724-1725
提埃波罗的画风相当自由洒脱，也十分华丽繁杂。因此有人认为提埃波罗是洛可可风格在意大利的代表。
The appearance of the angel before Sarah,1726-1728
Eteokles and Polyneikes,1725-1730
The Madonna of Carmel and the Souls of the Purgatory,1730
Meeting of Marc Anthony and Cleopatra,1747-1749
St James the Greater Conquering the Moors,1749-1750
Apollo and Diana,1757
The Repudiation of Hagar,1719
Nude study in an academy,1720
The Martyrdom of St. Bartholomew,1722
The Rape of Europa,1720-1722
Susanna and the Elders,1722-1723
The Force of Eloquence, Bellerophon and Pegasus,1723
Apollo and Marsyas,1725
Alexander the Great and Campaspe in the Studio of Apelles,1725-1726
Rachel Hiding the Idols,1726-1728
The appearance of the angels to Abraham,1726-1728
The Judgment of Solomon,1726-1728
Hagar in the Wilderness,1726-1729
Jacob’s Dream,1726-1729
The Prophet Isaiah,1726-1729
The Sacrifice of Isaac,1726-1729
Battle of Vercellae,1725-1729
Abraham and the Three Angels,1730
Hannibal looks at the head of Hasdrubal,1725-1730
Finding of Moses,1730
Scipio and a Slave,1731
Hagar Assisted by the Angel,1732
Nativity,1732
The Education of the Virgin,1732
John the Baptist Preaching,1732-1733
The Beheading of John the Baptist,1732-1733
The Triumph of Zephyr and Flora,1734-1735
Jupiter and Danae,1736
The Holy Family Appearing in a Vision to St Gaetano,1735-1736
Carrying the Cross,1738
Pope St Clement Adoring the Trinity,1737-1738
King David Playing the Harp,1737-1739
The Glory of St Dominic,1737-1739
The Institution of the Rosary,1737-1739
The Virgin Appearing to St Dominic,1737-1739
The Virgin Appearing to Dominican Saints,1740
The Virgin Appearing to St Philip Neri,1739-1740
The Virgin with Six Saints,1737-1740
The Gathering of Manna,1740-1742
The Sacrifice of Melchizedek,1740-1742
Allegory of Strength and Wisdom,1740-1743
Fortitude and Justice,1743
Maecenas Presenting the Liberal Arts to Emperor Augustus,1743
Prudence, Sincerity and Temperance,1743
Transportation of the Holy House of Nazareth to Loreto,1743
Apollo and Daphne,1743-1744
The Banquet of Cleopatra,1743-1744
The Triumph of Flora,1743-1744
The Discovery of the True Cross and St. Helena,1745
Worshippers,1743-1745
Worshippers,1743-1745
The Apotheosis of Saint Roch,1740-1745
St. Catherine of Siena,1746
Bellerophon on Pegasus,1746-1747
The Banquet of Cleopatra,1746-1747
The Last Supper,1745-1747
The Meeting of Anthony,1746-1747
Last Communion of St Lucy,1747-1748
Apparition of the Virgin to St Simon Stock,1746-1749
Apparition of the Virgin to St Simon Stock,1749
Christ on the Road to Calvary,1749
Boy Holding a Book (portrait of Lorenzo Tiepolo),1750
Christ on the Mount of Olives and the angel with the cup of suffering,1745-1750
Crown of Thorns,1745-1750
Crucifixion,1745-1750
Neptune Offering Gifts to Venice,1748-1750
Portrait of the Procurator Dolfin,1750
The Martyrdom of St Agatha,1750
The reception of Henry III,1750
The Triumph of Fortitude and Sapiency,1745-1750
Allegorical female figure with a club,1740-1750
The Investiture of Herold as Duke of Franconia,1751
The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy,1751
Allegory of the Planets and Continents,1752
Adoration of the Magi,1753
Apollo and the Continents,1752-1753
Apollo leads Frederick Barbarossa Beatrix of Burgundy,1750-1753
Europa,1750-1753
Rinaldo and Armida,1753
The Death of Hyacinthus,1752-1753
A Seated Man and a Girl with a Pitcher,1755
Rinaldo and Armida are surprised by Ubaldo and Carlo,1755
Rinaldo observed by Carlo and Ubaldo,1750-1755
The Theological Virtues,1755
Achilles consoled by his mother, Thetis,1757
Angelica and Medorus accompanied by two peasants,1757
Angelica Carving Medoro’s Name on a Tree,1757
Angelica, accompanied by a shepherd who cares Medorus with herbs,1757
Detail of Agamemnon, from Minerva Restraining Achilles from Killing Agamemnon,1757
Detail of Dido, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido,1757
Eurybates and Talthybios Lead Briseis to Agamemmon,1757
Head of a Philosopher,1757
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