
Giovanni Battista Tiepolo
乔万尼·巴蒂斯塔·提埃波罗
意大利, (1696-1770)
在18世纪,威尼斯画家占有特殊的地位,乔万尼·巴蒂斯塔·提埃波罗是其中最负盛名的壁画名家,不仅在意大利,同时也在德国和西班牙从事创作,提埃波罗的艺术有巴洛克的影响,也继承了文艺复兴的传统。流派:洛可可艺术、威尼斯画派
—— By ArtYouhua
作品欣赏

A Young Woman With a Macaw,1758-1760
乔万尼·巴蒂斯塔·提埃波罗在威尼斯、米兰等地画有大量壁画和天顶画。其中最著名的作品有1750年左右为威尼斯贵族宅第所作的壁画《克里奥帕特拉的盛宴》。

Queen Zenobia before Emperor Aurelianus,1717
提埃波罗以豪华的衣着,艳丽的色彩和有趣的古代故事来打动观众。此外,提埃波罗在威尼斯还作有《玫瑰花坛的授职仪式》壁画(1739年),在符兹堡绘制了壁画《巴巴罗萨的婚礼》(1752年)等。提埃波罗还留下了数十件为壁画而作的小幅油画。

Annunciation,1724-1725
提埃波罗的画风相当自由洒脱,也十分华丽繁杂。因此有人认为提埃波罗是洛可可风格在意大利的代表。

The appearance of the angel before Sarah,1726-1728

Eteokles and Polyneikes,1725-1730

The Madonna of Carmel and the Souls of the Purgatory,1730

Meeting of Marc Anthony and Cleopatra,1747-1749

St James the Greater Conquering the Moors,1749-1750

Apollo and Diana,1757

The Repudiation of Hagar,1719

Nude study in an academy,1720

The Martyrdom of St. Bartholomew,1722

The Rape of Europa,1720-1722

Susanna and the Elders,1722-1723

The Force of Eloquence, Bellerophon and Pegasus,1723

Apollo and Marsyas,1725

Alexander the Great and Campaspe in the Studio of Apelles,1725-1726

Rachel Hiding the Idols,1726-1728

The appearance of the angels to Abraham,1726-1728

The Judgment of Solomon,1726-1728

Hagar in the Wilderness,1726-1729

Jacob’s Dream,1726-1729

The Prophet Isaiah,1726-1729

The Sacrifice of Isaac,1726-1729

Battle of Vercellae,1725-1729

Abraham and the Three Angels,1730

Hannibal looks at the head of Hasdrubal,1725-1730

Finding of Moses,1730

Scipio and a Slave,1731

Hagar Assisted by the Angel,1732

Nativity,1732

The Education of the Virgin,1732

John the Baptist Preaching,1732-1733

The Beheading of John the Baptist,1732-1733

The Triumph of Zephyr and Flora,1734-1735

Jupiter and Danae,1736

The Holy Family Appearing in a Vision to St Gaetano,1735-1736

Carrying the Cross,1738

Pope St Clement Adoring the Trinity,1737-1738

King David Playing the Harp,1737-1739

The Glory of St Dominic,1737-1739

The Institution of the Rosary,1737-1739

The Virgin Appearing to St Dominic,1737-1739

The Virgin Appearing to Dominican Saints,1740

The Virgin Appearing to St Philip Neri,1739-1740

The Virgin with Six Saints,1737-1740

The Gathering of Manna,1740-1742

The Sacrifice of Melchizedek,1740-1742

Allegory of Strength and Wisdom,1740-1743

Fortitude and Justice,1743

Maecenas Presenting the Liberal Arts to Emperor Augustus,1743

Prudence, Sincerity and Temperance,1743

Transportation of the Holy House of Nazareth to Loreto,1743

Apollo and Daphne,1743-1744

The Banquet of Cleopatra,1743-1744

The Triumph of Flora,1743-1744

The Discovery of the True Cross and St. Helena,1745

Worshippers,1743-1745

Worshippers,1743-1745

The Apotheosis of Saint Roch,1740-1745

St. Catherine of Siena,1746

Bellerophon on Pegasus,1746-1747

The Banquet of Cleopatra,1746-1747

The Last Supper,1745-1747

The Meeting of Anthony,1746-1747

Last Communion of St Lucy,1747-1748

Apparition of the Virgin to St Simon Stock,1746-1749

Apparition of the Virgin to St Simon Stock,1749

Christ on the Road to Calvary,1749

Boy Holding a Book (portrait of Lorenzo Tiepolo),1750

Christ on the Mount of Olives and the angel with the cup of suffering,1745-1750

Crown of Thorns,1745-1750

Crucifixion,1745-1750

Neptune Offering Gifts to Venice,1748-1750

Portrait of the Procurator Dolfin,1750

The Martyrdom of St Agatha,1750

The reception of Henry III,1750

The Triumph of Fortitude and Sapiency,1745-1750

Allegorical female figure with a club,1740-1750

The Investiture of Herold as Duke of Franconia,1751

The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy,1751

Allegory of the Planets and Continents,1752

Adoration of the Magi,1753

Apollo and the Continents,1752-1753

Apollo leads Frederick Barbarossa Beatrix of Burgundy,1750-1753

Europa,1750-1753

Rinaldo and Armida,1753

The Death of Hyacinthus,1752-1753

A Seated Man and a Girl with a Pitcher,1755

Rinaldo and Armida are surprised by Ubaldo and Carlo,1755

Rinaldo observed by Carlo and Ubaldo,1750-1755

The Theological Virtues,1755

Achilles consoled by his mother, Thetis,1757

Angelica and Medorus accompanied by two peasants,1757

Angelica Carving Medoro’s Name on a Tree,1757

Angelica, accompanied by a shepherd who cares Medorus with herbs,1757

Detail of Agamemnon, from Minerva Restraining Achilles from Killing Agamemnon,1757

Detail of Dido, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido,1757

Eurybates and Talthybios Lead Briseis to Agamemmon,1757

Head of a Philosopher,1757
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